Monday, 21 December 2015

Christmas Tease

The Anna Dittmann Cover for Issue 2 of Night Witch

Monday, 14 September 2015

Body Work Issue #3 - Out This Wednesday

Inside This Month's Super Soaraway Issue!

 22 Pages of Rip Roaring Magical Crime Fighting Action

plus 5 Pages of Special Features

Interactive Fingermatic Page Turning System

Due to distribution problems there may be a delay in delivery of some copies of Issue #3. Fear not they are on their to your local friendly comic book shop even as speak, although possibly some of them are parked outside a truck stop near Millwakee.

Monday, 31 August 2015

Body Work Issue #3 Out September 16th

Issue #3
"Patient Zero"
Available 16th September

Monday, 24 August 2015

Czech Covers

The Czech Cover.... I think.

I think it's fair to say that this is the most batshit insane covers so far, good, but totally batshit insane.

Monday, 17 August 2015

Body Work Issue #2 Out on Wednesday

Issue #2 of Body Work

Out on Wednesday afternoon at all good comic book stores, at least it better be...

Also available on pre-order at Forbidden Planet.

Also also available for Indle from Amazon UK, Amazon US and Amazon Germany

And not forgetting Comixology!

Tuesday, 11 August 2015

Body Work Issue #2 Pre-Orders

Forbidden Planet, shop of a thousand surprises, is now offering pre-orders on Issue #2 of the Body Work comic. The webpage is here.

Meanwhile Titan has ordered  a second story from Andrew, Lee, Luis and I - first issue to be released in Spring 2016.

Titled NIGHT WITCH it's set between Foxglove Summer and upcoming The Hanging Tree. It will be five issues long with a bound trade to follow at the end of the run. 

A third five issue story has also been agreed but we don't have a title for that one yet. This will probably feature a different artist so Lee can have a rest.

Friday, 7 August 2015

Fingerhut-Sommer - German Release August 21st 2015

Der fünfte Band: Schwarzer Humor trifft auf schwarze Magie

Obwohl sich Police Constable Peter Grant schon unwohl fühlt, wenn er Londons Skyline auch nur ein paar Kilometer weit hinter sich lässt, wird er jetzt in die tiefste Provinz geschickt: in einen kleinen Ort in Herefordshire - wo sich Fuchs, Hase und der Dorfpolizist Gute Nacht sagen. Aber es werden zwei Kinder vermisst, und ihr Verschwinden erfolgte womöglich unter magischen Umständen. Also muss Peter notgedrungen sein angestammtes Biotop verlassen. Mit der Flusstochter Beverley Brook begibt er sich mutig nach Westen, hinein ins ländliche England ...

The DTV page is here...

Monday, 3 August 2015

The Swedish Itinerary

Wednesday 5th August

19.00: English Bookshop, Uppsala
A reading and signing at the English Bookshop, Uppsala.

Thursday 6th August

17:00: SF-Bokhandeln
Panel and signing at SF-Bokhandeln (the SF Bookstore) in Stockholm.

Friday 7th August

21:00: Klostersalen: Guest of Honour interview.
Ben Aaronovitch, Marianna Leikomaa

Saturday 8th August

13.00: Klostersalen, panel: Telling stories in different media.
 Ben Aaronovitch, Jessica Elgenstierna (mod), Alexander Hallberg, Thomas Årnfelt, Tobias Bodlund A discussion about the differences and similarities of storytelling and of telling stories in books, games, comics and TV.

15.00: Jupiter: Kaffeklatsch med Ben Aaronovitch 
Limited number of participants. Sign up sheet in Registration.

19.00: Klostersalen, panel: Point of view 
Ben Aaronovitch, Linnéa Anglemark, Eva Holmquist, Flemming Rasch (mod), Johan Frick, Marcus Olausson How does the choice of point of view influence the reading and writing of a story? Why is a certain pov chosen? What effects are intended? What are the advantages and disadvantages for the reader and writer? Are there any special pov:s in genre literature, e g to tell a story from the point of view of an alien, or when you have to invent and present an imagined world?

Sunday 9th August

11.00: Jupiter, Group discussion: Mixing your genres for fun and profit.

13.00, Klostersalen: Animating locations.
Ben Aaronovitch, Kristina Hård, Jenny Milewski, Johan Jönsson (mod)
Many authors write about a place that they and perhaps also the readers know well, but although it is a common place it is given a “soul” or a specific personality. How do you as author give an ordinary place these properties?
Will some places work better than others - London is often used? Are there any places that are harder/impossible to animate? Do you have any examples of successful animations? Examples in addition to the participating authors: Neil Gaiman, Paul Cornell, Nene Ormes.

16.00, Klostersalen, panel: Three authors, three countries, three cultures.
Madeline Ashby, Ben Aaronovitch, Kristina Hård, Patrik Centerwall (mod) What is it like to be an author in Canada, UK and Sweden? How do the conditions differ, especially for writers of sf and fantasy? How is genre literature looked upon in the different countries? Is it becoming more or less appreciated, by the public and critics?


Monday, 27 July 2015

The Too British Song

I wrote this in response to all the reviews, both positive and negative, that felt that Rivers of London (aka Midnight Riot) was a 'little bit too British'.

The British Song
(With apologies to Alanis Morisette)

I chose a young man to be my hero
He’s a stoical lad who doesn’t complain
It’s about making a joke of your own pain
It’s about being the one who has to know
And isn’t it quite British… don’t you think?

It’s like expecting rain on a sunny day
It’s about taking joy in the things that you say
It’s knowing from the start that the joke’s on you
And who would’ve thought… it’s British

He can insult you without having to try
He’ll apologise too without knowing why.
He’ll go his whole damn life without starting a fight.
But if you push him too far, it’s true
You won’t find it so nice
And isn’t it so British… don’t you think?


Well the world is more than what you used to
When you think everything’s the same as your own neighbourhood
And the world is much bigger place
And it doesn’t owe you an explanation for the things you
Don’t understand.

It’s doing the job without making a fuss
It’s being good friends without having to gush
It’s about leaving people alone even if they are quite odd
It’s about winning a race
And not thanking god.
And isn’t it quite British …don’t you think
A little too British…and, yeah, I really don’t think…


Monday, 20 July 2015

What I Did On MY Weekend.....

Apart from writing of course.


Note Foxglove Icing
On Friday I went to Leominster Library, which despite looking on the outside like a young offender's institution turned out to be lovely and airy on the inside. Plus they provided me with an enormous spread including coffee and walnut cake.

Having consumed tremendous amount of sandwiches and cake it was fat and happy Ben that did his little Q&A with a small but friendly crowd.


I went to YALC at Olympia where I did a panel with famous authors Melinda Salisbury, Amy Alward, Sally Green and Frances Hardinge.

We had a slightly larger turn out then in Leominster (all those top writers I think) but I couldn't help noticing that the larger the crowd the fewer the questions - curious eh?

After that it was my off to table too sign - to my surprise there was both a queue and my first ever sighting of Rivers of London cosplay - Lesley May and the Faceless Man I believe.

So after my signing session I went for a tour of the event with a friend and then home to feed the hungry word processor.

Wednesday, 15 July 2015


Out Today!
Rivers of London: Body Work Issue #1

Monday, 13 July 2015

Foxglove Summer: The Soundtrack

These are some of the sounds that provided the soundtrack to writing Foxglove Summer.

Friday, 10 July 2015

Live in Leominster on Friday

Leominster Library
8 Buttercross

Telephone: 01432 383290

7.00 pm 17th July 2015

Me - occasional author.

Because a day spent outside Herefordshire is like a day without sunshine, a road without potholes and a meal without a detailed explanation of where all the food comes from.

What Else?
Hereford Libraries are having a book festival and I write books - do the maths!

Wednesday, 8 July 2015

Tommorrow Foxglove Summer is out in Paperback.


The British Paperback edition of Foxglove Summer is officially released tommorrow and I would like to thank all the people that buy my books, all the people who do all the behind scenes stuff that actually gets the book produced and distributed and last but not least the booksellers who flog them.

Since we've seen the cover of Foxglove Summer quite alot here is a picture of everyone's favourite ghost hunting dog.

Monday, 6 July 2015

Locations, Locations, Locations: Foxglove Summer

To celebrate this weeks UK release of Foxglove Summer in paperback here is a map to some of thelocations in the book.

I tried to embed it in the blog but that didn't work but I'm told that this link here might work.

Wednesday, 1 July 2015

Rivers of London Comic Launch Event

Forbidden Planet in London.

The 15th of July at Six O'clock! In less than 2 weeks time.

Me and Andrew Cartmel..

To mark the release of Issue #1 of Body Work - 1st of the Rivers of London Comic series.

What Else?
Details of the event can be found here!

Tuesday, 30 June 2015

Buying Comics Is Easy

Buying Comics is Easy

While this blog concerns itself with how to buy Andrew and my comic there is excellent article at The Mary Sue on the generalities of buying a comic here.

Your Friendly Neighbourhood Comic Store
Run, don’t walk, to your friendly neighbourhood comic shop. If you don’t know where it is you can use the internet which has such resources as… 

FINDACOMICSHOP.COM (The UK and North America) or Search for a Comic Shop (everywhere else it says)

Order a copy Rivers of London
Once you have co-located yourself with your chosen shop inform a member of staff that you would like pre-order Rivers of London Issue #1 (published by Titan Comics). This is known as setting up a ‘pull list’ and is the best way to ensure that you get your hands on the soon to be much in demand(1) first issue of Rivers of London: Body Work(2).

Purchase a copy of Rivers of London
Then on the appointed day (the evening of July 15th 2015 or the following day) you can turn up, hand over some dosh and they will thrust the object of your desire into your hands.

Now different comic book shops will have different ways of setting up Pull Lists but the basics are much the same – here is a fumetti(3) by Keiron Gillen to run through them again. 

Buying Digital
If you don't want to sully your pristine germ free hands with an actual physical comic then you can purchase a digital copy of Rivers of London Issue #1 from Comixology - here is the preview page for the UK and the preview page for the US.

NEW: Buying in Germany

You can buy it from Forbidden Planet International here.

Or they can be ordered from any shop in Germany that orders from Diamond Comic Distributors - this database here covers Germany as well as other countries.

(1) Hopefully.
(2) If you, for some strange reason, feel the need to order other people’s comics go right ahead it’s a free country – I wont hold it against you.
(3) Comics that use live action images rather than drawings.

Monday, 29 June 2015

Currently Reading

Just One Damned Thing After Another 
by Jodi Taylor

I'm currently reading, as quick as I can, Jodi Taylor's Chronicle of St Mary's series because her publisher sent me a preview of book 6 and I'd never heard of them.

Whether I'll finish them in time to blurb (or not) the latest I don't know but I'm enjoying them so far.

Here is blurb for book 1....

Behind the seemingly innocuous façade of St Mary's, a different kind of historical research is taking place. They don't do 'time-travel' - they 'investigate major historical events in contemporary time'. Maintaining the appearance of harmless eccentrics is not always within their power - especially given their propensity for causing loud explosions when things get too quiet.

Meet the disaster-magnets of St Mary's Institute of Historical Research as they ricochet around History. Their aim is to observe and document - to try and find the answers to many of History's unanswered questions...and not to die in the process.

But one wrong move and History will fight back - to the death. And, as they soon discover - it's not just History they're fighting.

Follow the catastrophe curve from eleventh-century London to World War I, and from the Cretaceous Period to the destruction of the Great Library at Alexandria. For wherever Historians go, chaos is sure to follow in their wake ...

Friday, 26 June 2015

Paperback Launch in Cardiff

Waterstones Cardiff in Wales!

The 9th of July at Seven O'clock! In less than 2 weeks time.

Me... and that should be enough for you.

To mark the release of the paperback version of Foxglove Summer!

What Else
Waterstones Cardiff is here! In Cardiff... unsurprisingly.

And you can buy tickets for the event here!

Monday, 15 June 2015

So What's Going To Be In This Comic Anyway?

I'm glad you asked....

For a start there are three varient covers.

Inside each issue there will be 22 pages of hot Peter Grant action...

And 5 pages of special features...

Which in future issues will include Professor Postmartin's History of Magic, Cooking with Molly, Tales from the Folly strips and much more.

But I've never bought a comic before....

That's okay, I'm planning a blog that will help but in the meantime there are a couple of helpful links below...

Mary Sue's How To Buy Comics a Beginners Guide
Kotaku's How To Get Into Comics
Forbidden Planet: Rivers of London #1

Wednesday, 10 June 2015

A Good Read

Rivers of London is a Good Read!
It must be true because Tom Robinson says so!

Tom Robinson, DJ, poet, writer, broadcaster and, most importantly to me, singer and composer of such anthems as Sing if you're Glad to be Gay and the Winter of 79 has appeared on BBC Radio Four's A Good Read on Tuesday 9th of June. For his book he chose Rivers of London.

You can listen to it on BBC iPlayer here.

Miranda chose The Year of Magical Thinking by Joan Didion while the presenter Harriett Gilbert chose The Swimming Pool Library by Alan Hollinghurst.

Monday, 8 June 2015

Writing Comics Is Easy.....well sort of.

Writing Comics Is Easy

Quick let me qualify that before the other comic book writers come round my house and have words. 

Writing comics is just as hard as any other form of literary endeavour but with one caveat - your only really talking to one person - the artist. You see when you're writing prose you've got to think about how every damn word will impact your entire readership. Every damn word! This means that if you're of a nervous disposition you can find yourselves agonising for hours about the placement of every comma.

You'd think film scripts would be better. After all a script is not aimed at the general audience - in many ways it is a technical document like a blueprint or a recipe it exists to provide a framework for other, hopefully talented, crafts people to build around. Alas a script has also to excite people with money or at least people who know people with money so you've always got to write with them in mind. This wouldn't be so bad if so many in the industry didn't combine ignorance with an innate sense of certainty(1).

But comic scripts are beautiful - you write them essentially for one person only(2) - the artist. Since they're a fellow professional you don't have to entice them with your prose or come up with six new ways to say the hero runs past the camera in an exciting fashion. In fact once you've established a working relationship you can use short hand, or offer the artist different approaches in the same document and, if your imagination has totally failed you, ask the artist to make something up.

In this way writing comics is easy.

In all the others ways, character, plot etc, it's just as hard as all the other ways to write.

(1) There's a famous case of a writer pitching the true story of how Elliot Ness's, famous for bringing down Capone,  next case was the torso killer - generally considered to be America's 1st genuine serial killer. The movie executive rejected the pitch because Elliot Ness was clearly under copyright to Paramount (who'd made The Untouchables). The writers tried in vain to explain that as a real historical figure it was, in fact, impossible to copyright his name and his adventures. The movie executive was unmoved - Elliot Ness was a fictional character and under copyright and that was an end to it.

(2) Well alright there's your editor and your colourist and the letterer but in the first instance you're writing for the artist.

Wednesday, 3 June 2015

Comic Countdown

The beautifully drawn and coloured pages of Issue #2 are beginning to emerge so I thought I'd take this opportunity to share some Jaguar porn.

Wednesday, 6 May 2015


Want an alternative cover? Here it is. 
Based on the Wayne Reynolds' painting.

Sunday, 3 May 2015

Gospel Oak's Finest Crime Fighter

 Guleed Tease!

 Rivers of London: Body Work
Issue #1 July 15

Thursday, 30 April 2015

Day 30: Islington


Islington Central Library
6.30 pm
4.3 km from Covent Garden

I completely forgot to take a picture of the front so here is an image of the cake I was given instead.

This was a triumph.

I apologise for the fact that that as the month has worn on my blogs have become somewhat, shall we say, abbreviated. I'd also like to say that the many librarians, library assistants, DACSOs(1), archivists and people that wandered into the library and never left I met were all wonderfully welcoming and generous.

The whole thing started at Islington Central when I foolishly mooted the idea that I should visit every borough and it was fitting that this was the last audience...

 That's actually Sophie Calder on the far left of the front row - she's a publicist for Orion Books and mostly to blame for all this.

(1) Direct Access Customer Service Officers

NEXT: um.... sleep, lots and lots of sleep!

Wednesday, 29 April 2015

Day 29: Wanstead


Wanstead Library
7.00 pm
12.6 km from Covent Garden

Windows? We don't need no stinking windows!
Redbridge came as a bit of a surprise because with a name like that I expected it to be up North - as in Yorkshire or Lancashire - and to have played a vital role in the industrial revolution and/or trade union history.

There was a huge coffee and walnut cake available and despite my best efforts to give it away I ended up eating half of it. V.Bad.

What it is, it turns out, is a leafy suburb or at least the bits I saw were. Once more the spiritual successors to Albert Speer had been let loose on a library as evinced by the Leni Riefenstahl windows you can see below.

NEXT: The last library in London!

Tuesday, 28 April 2015

Day 28: Bopping in Bexley and Barking in Bromley


Bexleyheath Central Library
3.15 pm
19.6 km from Covent Garden

Bexleyheath Library was built during the closing stages of the Cold War and is now designated a Human Rallying Point and Shelter in the event of the Zombie Apocalypse.

Here me and the audience could shelter while the dead walk the earth and the rush hour traffic clogged up the roads.


Bromley Central Library
7.15 pm
15.4 km from Covent Garden

So far we've had libraries with gardens, cafes and even a sauna but Bromley Central is attached to a full sized repertory theatre. Currently showing The History Boys by Allen Bennett.

It's also nine stories high, giving in unparallelled views over South London, with its own secondary auditorium which, amazingly, was full of people when I arrived.

Here I was told by a guy in the audience that while teaching Policing and Crime at college he used my books as a lazy way to introduce his students to police culture.

I was tempted to ask whether I could get a fee for that but managed to restrain myself.

NEXT: Wanstead in Redbridge, Yorkshire North East London!